By now, everybody has heard the story of the yodeling kid, aka Mason Ramsey, whose intoning of Hank Williams' classics at a local House Of Rollbacks in Kentucky, just across the border from his home state Illinois, catapulted the video of that performance into internet virality. TV shows, a guest spot at Coachella, a first performance at the Grand Ole Opry, and now he got country-Biebered up and released a terrible debut single "Famous." All that in less than a month.
Oh, I was ecstatic like so many other traditional country music fans (aka old farts). Here was a young lad of 11-years pouring his heart out with Hank Williams' "Lovesick Blues." A little late to the game, I normally don't pay that much attention to viral videos and memes, I shared it on facebook and stated that "...this is real country. And Hank is smiling."
Well, Hank and I aren't smiling anymore.
It seemed too good to be true, a visit on the Ellen DeGeneres TV- show, not only saw him getting a scholarship to study in the future but also made it possible to go visit and sing at the mother church of country music, The Grand Ole Opry. But that visit to Nashville bore strange fruits, the record-machinery under the auspices of has-been-artist Jake Owen and his Big Loud Records, a subsidiary of Atlantic got hold of the little rebel singing Hiram's songs and set him straight: Turning him into a Justin pop-starlet. Accused of the "kidnapping" of the boy's dream are beside Owen, Florida Georgia Line's Tyler Hubbard, EDM-pop-country garbage-writers - Corey Crowder (Kane Brown), Sarah Buxton (Chris Lane), and Canaan Smith (Florida Georgia Line) and to top the atrocities, they hired FGL producer Joey Moi known for his crimes with Nickelback.
Hastily Social Media accounts were created, suddenly there was a website, a facebook page, an Instagram showcase, and a Twitter feed. As far as I know, all these are restricted to kids older than 13 years old. But the onslaught got started and started it did - poor Mason gained over 4000 followers on Twitter per day, alone. And "Famous" his debut was released the same day, "The Yodeling Boy" was squeezed into the FGL set at the Stagecoach festival, to promote the drum-machine ditty.
Not only is "Famous" a dumbed-down, generic mass production, but its lyrics also wouldn't make a reading book for first graders. Please read and digest with caution:
Don't get me wrong, it's pretty cool to be on TV
So all the folks back home can see me
And that I'm livin' it out
All the things I used to dream about
Yeah, it's pretty great, singing on a stage
Proud 'cause there ain't an empty seat in the place
But, girl, ever since I met you
I got a whole new perspective
And people eager to know what happened to their @lilhankwilliams (his Instagram moniker) started clicking on YouTube (> 8 million) and he started to dominate Spotify (> 5.6 million) which amounts, with other streaming services, to over 15 million streams in one week. And the single is currently going to radio, which may or may not pick it up, as they may hopefully see the whole deal as a novelty factor with a faster half-life than a rotting egg in the sun.
Producer Joey Moi and the other perpetrators should be charged with musical child molestation and treason in the name of true country music.
The only good part is, that the original video where he sings his idol's song still leads with 37 million spins and Hank actually saw a 2000% increase of spins on Spotify. How sweet would it have been if the kid actually would have released a remake of a Williams' classic?
The Grand Ole Opry asked him back and Mason will make another 3-hour road trip back to Nashville to play this coming Saturday 5/12. I hope he sticks with Hank, as he got a standing ovation the first time doing it.
But as the Grand Ole Opry wrote: "Mason is rising fast in the music business." - just let's all hope not too fast, this kid deserves better.
*/***** (1/5)
Sources: Pandora - Next Big Sound, YouTube, Billboard, Guardian. Grand Ole Opry
Showing posts with label Sarah Buxton. Show all posts
Showing posts with label Sarah Buxton. Show all posts
Saturday, May 5, 2018
Tuesday, August 9, 2016
SR: No "Fix" please - make Chris Lane disappear!
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| Chris Lane - Obviously celebrating his first #1 - Instagram |
"Fix" - (song) - worst ditty to hit the top of the Country Airplay Charts by Billboard magazine and by IHeartMedia's mediabase in the summer of 2016.
During the tracking period to reach the top spot, the song got over 8100 spins, reaching and leaving an almost 56 million weekly audience impression. And you wonder why this country is in such a mess.
So it's time for celebration:
- a new artist, Chris Lane
- first charted single (others beforehand didn't scratch the top 40)
- new record label: Big Loud Records
- seasoned songwriters and producer
STOP - let's shine a light behind the curtain and we suddenly realize that we just stepped in a big fresh stinky turd.
- behind the record label, Big Loud Records is the Big Loud Mountain team that also handles douche-bags Florida Georgia Line, even though they put their shit out on Republic Records. Add to this, the president of Big Loud Records, Clay Honeycutt and that's where the incest begins
- Honeycutt was for over 15 years a "yes man" (not my words but his colleagues in comments on trade website AllAccess) in the IHeartMedia (formerly known as Clear Channel Communications) operations. So he leaves the sinking ship, IHeart is struggling to get rid of $6 Billion in debt, and becomes the president of a record label after being in command for over a decade over more than 850 radio stations.
- the single that didn't chart in the Top Forty was "Broken Windshield View" a rather lame bro-country song, even though co-written by David Lee Murphy ("Dust On The Bottle"). During the production of an initial EP, producer Joey Moi discovered that Lane actually has a falsetto mode when singing and voilĂ , they found a new niche for the 31 year old singer from North Carolina and started re-vamping him.
- all revamped as a blue-eyed wanna-be R&B singer, his producer Moi passed him "Fix" to record.
- "Fix" could actually fly in a decent R&B arrangement, written by Abe Stoklasa (see his performance to prove my point for a decent production), Sarah Buxton and Jesse Frasure, latter being also responsible for that horrendous "High Class" single done by Eric Paslay,
- Producer Joey Moi, who won a CMA Award as a producer for Florida Georgia Line's "Cruise," the Single of the Year in 2013 pretty much stays true to his ear-numbing, over-top one dimensional productions. He may have caught Lane's falsetto but the whole production is missing depth, it's just a plain cacophony. It's bad enough that he is associated with Nickelback, Daughtry and the above mentioned Douche-Bags, but this guy gotta go home back north to Canada before he produces an other turd.
A quick listen through his new album "GIRL PROBLEMS" that was released last Friday, does not reveal anything promising. I will review the whole album later, when I have recovered from "Fix."
And a note to radio stations - if you force feed us this song 94 ! times in a week, like IHeartMedia owned KBEB-FM in Sacramento (92.5 FM) did, please don't start to wonder why we're all wandering away to streaming media and our own programming.
(★)/★★★★★ (½/5)
Sources: http://iamchrislane.com/, AllAccess, Billboard
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